[Text available only in English] Growing up in Norfolk and attending a school where being into music made you an outsider, Nathan Fake’s early interest in the electronic scene came from hearing acts like Aphex Twin and Orbital.

Having begun to acquire and experiment with his own gear, an encounter with James Holden in 2003 led him to align with the then fledgling label Border Community, releasing his first material, the “Outhouse” single, that same year.

The relationship...